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Category: Publishing & media (Page 42 of 53)

We Are Smarter Than Me– Report

Last fall, Martin Clifford-CEO of the web community juggernaut Wis.dm, informed me that I was hopelessly out of date regarding the phenomena of web communities and hinted that due to my advanced years I might never comprehend the impact of many-to-many publishing. It’s true that most of my experience is in traditional forms of one-to-many publishing. However, I’ve always loved a good challenge so I began my exploration of the role of communities in the creation of content.. Early in my explorations, I came across the We Are Smarter Than Me project. This project is the joint effort of Pearson Educational Publishing, Wharton, MIT, and Shared Insights. The goal was to form a community that would write a book about how communities could change and enhance the way that companies do business. I tuned into the “Buzz” to get a sense of the passion of the participants And then, I joined the community and contributed a small section on the importance of word-of-mouth in the marketing of services. As the project progressed, I watched its progress and waited eagerly to see what would happen when the many-to-many model was invoked to produce a traditional business book.

To hear first hand accounts of the project, I travelled to the Community 2.0 conference in Las Vegas. Barry Libert of Shared Insights and Tim Moore of Pearson Educational Publishing presented a fascinating progress report and a conversation with co-founder Jon Spector (soon to be CEO of the Conference Board) filled in some additional information.

The participants are to be congratulated for commissioning the project as a pure experiment. As Mr. Moore said, “I just wanted to see what would happen” As one might imagine, the interaction between web communities and large esteemed institutions presented some interesting challenges. Not surprisingly, the first significant issue arose when Pearson faxed their contract to Shared Insights. While the contract was entirely appropriate for traditional author teams, indemnification clauses took on entirely new meaning when the work of hundreds or thousands of author/contributors would be scrutinized. The prolonged wrangling broke the project’s early momentum. It was assumed that the Academic Dream Team of Pearson’s business authors and the faculties of Wharton and MIT would produce numerous thoughtfully written content modules. Surprisingly, none of the authors or profs chose to participate in the project. The project team reverted to Plan B by sending participation invitations to a large list of people affiliated with the sponsoring institutions. The response was enthusiastic and the community began to grow. Current membership is approximately 3500 with 650 individual wiki posts.

As the active participation increased, the project team learned another important lesson. Suddenly the community wanted to take over the project leadership and asked the project team to step aside. Even though the project team knew alot about community dynamics, they weren’t ready for their own community to be so assertive and found it difficult to relinquish control. When they did step back, the community flourished.
How did the book by community turn out? One speaker reported that the journey was more interesting than the destination meaning that the content created was plentiful but uneven in quality and style. To yield an acceptable business book, it would be necessary to hire an accomplished professional author who would also handle the fact checking process.

The open questions and lessons learned from this project.

  1. Why didn’t the authors and professors participate?
    Possible explanations included:
    Generation Gap- Authors and profs didn’t grow up with MySpace or Facebook. Web Communities are foreign to their professional milieu.
    Status Issues- They are used to being the authority and weren’t willing to have their writings publicly challenged. And they have already made their reputation so that they have little status to gain.
    No Financial Benefit- Their time is very valuable and they expect to be paid for their efforts.
    Lack of Passion or Connection with the Project- Community participation is not their avocation nor were they passionate about the topic.
    Those that did participate did so out of a passion for the topic and seemed most motivated by the opportunity to build their reputation within the community. For many members, community participation is one of their hobbies. And they seemed not to desire any remuneration for their contributions.
    Observation- Just like in the early days of the Internet, there is currently more cache attached to eyeballs and recognition than to traditional financial rewards. However, there are significant costs to forming, hosting and moderating communities. And the work of cummunities can be very valuable to companies of all sorts. New business models are emerging that will manage the costs and reflect the value of the contributions.
  2. Given the uneven content and need to bring in a professional author, should anyone even try to write another book by committee?
    It depends on the type of Book!! Wikipedia has demonstrated that this model is very effective in creating a comprehensive reference work. ( I suppose that some purists would argue that Wikipedia isn’t really a book but rather a collection of content modules), For traditional authored book projects, communities might play a valuable role in helping authors research topics that are outside of their primary expertise and in reviewing the authors work for accuracy and clarity.
  3. Will there be instances where community created content modules will compete with traditional published works?
    Given the Google world that we live in, consumers of information often seek a terse answer to a specific question. And there is a definite trend towards the integration of content with the information consumers’ workflows. For these information consumers, A well structured repository of content modules is potentially more valuable than traditional books.
  4. So was the project aiming at the wrong goal?
    Perhaps! Old habits die hard and many people in my generation have books to thank for alot of their professional knowledge. Maybe the goal of the project should have been to develop an outstanding repository of content modules and resources that could become an authorative source of information about communities and their role in changing and enhancing the ways that companies do business. In the long run, the mission critical task is creating outstanding intellectual property. Creating multiple media versions of that IP will allow publishers to reach a wider range of customers.
  5. Will the many-to-many content model put traditional publishers out of business?
    There is much more opportunity than risk for publishers.
    Most of us would agree that we already suffer from information overload. Communities have the potential to raise that overload to an even higher level. Information consumers want to know that the content they are reading is accurate and authoritative. This has been the primary domain of publishers for many years. If publishers find new ways to harness the wisdom of crowds in creating new content and improving existing content, their future is bright. If not, someone else will seize the opportunity. And if they trivialize new methods of content creation as being less pure and authoritative than their time-tested editorial processes, they will face serious consequences. If you’re not convinced, just ask your favorite encyclopedia publisher!!
  6. That is my report on many-to-many versus one-to-many content creation models. Now I’m trying to figure out whether the few-to-few model refers to custom publishing or to an underperforming web community.

Public Alpha of Apollo Debuts on Adobe Labs

Adobe Systems Incorporated (Nasdaq: ADBE) announced that the first public alpha version of Apollo is now available for developers on Adobe Labs. Apollo is the code name for a cross-operating system application runtime that allows web developers to leverage their existing skills in HTML, JavaScript and Ajax, as well as Adobe Flash and Adobe Flex software to build and deploy rich Internet applications (RIAs) on the desktop. Apollo provides people with direct access to Internet applications built with HTML, JavaScript, Flash and PDF without the need to open a browser, offering more reliable interaction with content. With Apollo, people can launch applications directly from their desktops and interact with them offline. When a network connection is available, newly created or changed content can synchronize. The first version of Apollo for developers includes a free SDK that provides a set of command line tools for developing and working with Apollo applications. Web developers can use the Integrated Development Environment (IDE) of their choice, including Adobe tools such as Eclipse-based Flex Builder, Flash, and Dreamweaver to build Apollo applications. The alpha version of the Apollo application runtime, required to run Apollo applications, and the Apollo SDK are available immediately as free downloads from Adobe Labs. The Apollo SDK is available in English. The Apollo runtime and SDK are offered for both Windows and Macintosh operating systems, and future versions will be available for Linux. http://www.adobe.com/go/apollo

Good Books, 5 Ways

Is the Caravan Project the right new distribution model for trade publishers? The basic offering is compelling–providing simultaneous access to print, print-on-demand, eBook, chapter eBook, and digital audio versions of titles. The Caravan Project’s publishers include university presses like Yale University Press and nonprofit publishers like Beacon Press.

The Washington Post has a very good and comprehensive article about the project and its executive director, Peter Osnos.

Osnos, a fast-talking, silver-haired man of 63, has been in publishing almost precisely as long as as Politics and Prose has been in business. He left The Washington Post, where he’d been a reporter and editor, for Random House in 1984. Ten years ago he founded Public Affairs, which specializes in the kind of serious nonfiction titles that don’t require six-figure advances to acquire.

Over the years, he became all too familiar with the chief bane of a moderate-size publisher’s existence: the difficulty of getting the right number of books into bookstores at the right time. The advent of digital books, along with greatly improved print-on-demand technology, seemed to offer new ways to address this distribution problem, so a couple of years ago, after stepping down as head honcho at Public Affairs, he began to wrestle with it independently.

The nonprofit Caravan Project — which is supported by the MacArthur, Carnegie and Century foundations — is the result.

To start the experiment, Osnos recruited seven nonprofit publishers, among them academic presses such as Yale and the University of California and independents such as the Washington-based Island Press. Each was to designate titles on its spring 2007 list that would be published in a number of formats simultaneously.

The intriguing idea, to me, of the Caravan Project, is that it is directed at bookstores, with a goal of providing a common platform for them to sell the various formats. The marriage of print distribution with POD is a natural one of course–and Ingram, which is the backbone of the Caravan Project has exactly the infrastructure for that. But adding the eBooks and digital audio is distinctly different, and it gives booksellers the opportunity to be the human conduit for this kind of buying. The potential here is to give booksellers an enormous inventory of product where potentially nothing is truly out of stock.

Of course, the Caravan Project is a finite effort, with seven publishers providing a subset of their current catalogs, but the goal of the project is to try the new model, and see how it impacts the business. According to the Post, Borders sees the potential. “This could be a pilot for what all publishers end up doing eventually,” agrees Tom Dwyer, director of merchandising at Borders. Right now, Dwyer adds, bigger publishers are mainly focused on ‘digitizing all their content.’ But when it comes to distribution, he says, he’s sure they’re “planning something in this direction.”

I think they are too. I blogged about the eBook widget wars recently over at my own blog. The real story there is not the widgets themselves, but the mechanisms for digitization, access, and distribution behind those widgets. Project Caravan is an interesting effort, and one that publishers should watch closely.

Bitstream Releases Pageflex Persona Cross Media Suite 2007

Bitstream Inc. (NASDAQ: BITS announced the release of Pageflex Persona Cross Media Suite 2007. This is a significant upgrade to the company’s desktop software that enables the creation of database-driven variable data print and personalized HTML emails. This release introduces new features that provide design and content variability within an individual document, as well as graphic design and production workflow enhancements. Pageflex Persona Cross Media Suite 2007 includes the following new features: Document Actions – This new feature set gives power users the ability to create documents with unlimited variability. Every aspect of a print document – including variable values, content, attributes, colors, fonts, pages, shapes, and text – can be modified on a record by record basis; Global Copyfit – This enhanced copyfitting feature enables graphic designers to ensure consistent typography settings across a document even when text settings are adjusted to fit overflow variable text. The template designer can designate that specific containers in a document (e.g. caption boxes) all maintain the same type settings (font size, leading, tracking, etc.) when the document is produced, even if the text in only one of the containers has been copyfit; Bézier drawing tools – Graphic designers can add complex curves and shapes to their page layouts and static or variable text can be inserted and edited on curved or irregular paths; Conversion of shapes to text containers – Designers can now convert shape elements into both regular and Bézier text containers, and more. Pageflex Persona Cross Media Suite 2007 will be available as of March 7, 2007. http://www.bitstream.com

Not All Newspapers Are Suffering

The Audit Bureau of Circulations (ABC) self-refers as the “Gold Standard in Media Audits” and is the place to go if you want to find out current U.S. newspaper circulation figures. Unfortunately, you have to be a member — they’re not giving this sensitive information away — and so it’s difficult to get up-to-the-minute data. You can find out the “Top 200 Newspapers by Largest Reported Circulation” ), but not what those circulation figures actually are, and how they’re trending.

But the ongoing decline in newspaper circulation in North America is not a well-kept secret, and if the ABC won’t spill the beans, others will.
According to a February article in Media Life Magazine, “in the U.S., the circulation of paid-for papers dropped 4 percent from 2001 to 2005, hitting 53.3 million. It also dropped 2.3 percent in 2005 compared to the year earlier.”

A May 2005 article in The Washington Post reported that “circulation at 814 of the nation’s largest daily newspapers declined 1.9 percent over the six months ended March 31 compared with the same period last year…The decline continued a 20-year trend in the newspaper industry as people increasingly turn to other media such as the Internet and 24-hour cable news networks for information.”

In the midst of this gloom, the February 17th issue of The Economist reported that in India there are some 3000 big newspapers, and they experienced a 12.9% increase in circulation last year. Competition is fierce, and profits substantial.

The article also made reference to a key factor that may explain this bright news: Internet access is available to only 1.2% of Indians over the age of 12.

I remember years ago at a DRUPA trade show in Germany (DRUPA focuses on the printing business) meeting Naresh Khanna, the editor of Indian Printer & Publisher magazine. That year everyone was speculating about the possible impact of the Internet, but Naresh said to me: “Oh, we don’t care very much about the Internet in India. We’re just excited that we’ll soon have color pictures in our newspapers.”

Publishing Giant IDG Declares Print Dead

Well, if not dead, at least dying. Via Paid Content: IDG No Longer A Print Company; Online 35 Percent Of U.S. Publishing Revenues

IDG is no longer a print media company, declares Colin Crawford, the SVP of Online at the company, in a rather revealing post on his own blog. The trade behemoth is a private company, so this insight is a helpful one.
— The absolute dollar growth of our online revenues now exceeds the decline in our print revenues. This occurred in the US in 2006 and in Europe during the last quarter.
— In the US, our online revenue now accounts for over 35% of our total US publishing revenues. Next year, for many brands online revenues will be greater than print revenues, if fact they already are at some of our key brand and by 2009 – about 50% of IDG’s US revenues will come from online.
— “Going forward IDG Communications will define itself as a web centric information company complemented by expos, events and print publications.”

The metrics are compelling, don’t you think?

Usurious Association

What is your favorite industry association, the one you find most useful?

AIIM – The Enterprise Content Management Association is pretty good. As its site says, AIIM “has been a neutral and unbiased source for helping individuals and organizations understand the challenges associated with managing documents, content, records, and business processes. AIIM is international in scope, independent, implementation-focused, and, as the representative of the entire ECM industry – including users, suppliers, and the channel – acts as the industry’s intermediary.

“The AIIM community has grown to 70,000 professionals from all industries and government, over 150 countries, and all levels of management, including senior executives, line-of-business, and IT. With every organization in the world handling some type of paper or electronic content, the ECM industry will continue to grow. As the industry grows, AIIM can be counted on to provide market education, peer networking, professional development, and industry advocacy.”

They put on a big trade show, they publish a magazine and lots of resource materials. I think AIIM is alright. And I can join as a “Professional Member” for $125/year.

OASIS has more to do with standards, but doesn’t ignore education. I can join individually for $300.

IPA, the Association for Graphic Solutions Providers is “a community of premedia professionals within the creative, corporate, print publishing, packaging and in-plant sectors.

“IPA is a forum for peer networking and a vital source of business, technical, and management resources for graphic solutions providers. It’s where the industry’s leading technical managers turn for information on how to strengthen their graphics workflow competencies and increase profits. It’s where business leaders turn for tools that will help them grow their business.”

If I could pass myself off as a student, I could join for $30 a year, but instead pay the consultant rate of $400. It’s a good group.

CM Pros, the Content Management Professionals, a timely and hard-working association appropriately affiliated with Gilbane, charges me only $100/year.

There’s another association that I think does some good and interesting work. It’s the International Digital Publishing Forum (IDPF), “a trade and standards organization dedicated to the development and promotion of electronic publishing.” (It’s the old OEB — Open e-Book group.)

“The work of the IDPF will foster and promote the development of electronic publishing applications and products that will benefit creators of content, makers of reading systems and consumers.

“The IDPF welcomes book, magazine, journal and newspaper publishers, booksellers, software developers, authors and other groups interested in digital reading to join our organization.”

Every year in the late spring they run a one-day seminar in New York that brings you up to date on what’s happening in this space. The seminar is very reasonably priced: only $89 for members. The problem is the cost of membership: the lowest price is $1,000 (except for non-profits at $650). There are no associate memberships or consultant memberships or student memberships: it’s $1,000 or get out of here. Now this isn’t the biggest nor most important trade group in our industry today. I don’t understand why they price their membership so as to exclude interest from the industry, rather than to encourage it.

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